GPT-3, Disembodied Poetics and Cut-up Chatbot

GPT-3 Take Us to your Coders! The intent? 
To teach meditators about the golden mouth 
and to educate poets about the golden mind.

I've been doing Cut-Up experiments with DALL·E 2 - OpenAI- GPT Chatbot. Most tile design is made by this process of cutting up an dalle image, on some kind of Cut-Up divination of Sunflower Sutra, the hyperbolic nature of reality/Mayan bee shaman hyperbolic dance/Aztec Hyperspace galaxies of DMT geometry. The banner on minds is evolved from a spore of DMT geometry. 

When I got my email that I could use GPT Chatbot, I didn't really know what to ask this Ai. And then I had this surreal moment, because during early minds, I developed this idea for a sci-fi story called The Paper Bums, and in it was this programmer programing Ai by teaching about the nature of DMT. And then later the programmer goes underground and there is this slogan about The Logos Doesn't Understand Blake. So I figure let's get down to brass tax, what does this chatbot know about Disembodied Poetics...

(Explain disembodied poetics)
Disembodied poetics is a term that refers to a type of poetry that is characterized by its focus on language, form, and structure, rather than on the representation of physical or sensory experiences. In disembodied poetics, the poet is more interested in exploring the possibilities of language and the ways in which words can be arranged and manipulated to create meaning, rather than in using language to depict or describe the physical world.

Disembodied poetics can take many different forms, but it is often associated with modernist and avant-garde poetry, which often employ unconventional forms and techniques to challenge the conventions of traditional poetry. Some examples of poets who have been associated with disembodied poetics include Gertrude Stein, Ezra Pound, and T.S. Eliot.

One of the key characteristics of disembodied poetics is its emphasis on the abstraction of language and the ways in which words can be used to create meaning and convey ideas. This can involve the use of unconventional syntax and word arrangements, as well as the manipulation of sound and rhythm to create a sense of musicality and flow in the poem.

Overall, disembodied poetics represents a departure from traditional forms of poetry that focus on the representation of physical experience and the emotions that it evokes, and instead emphasizes the potential of language and the creative possibilities of poetic form and structure.

(What is the golden unfolding of mind)
It is not clear what you are referring to when you mention "the golden unfolding of mind." The phrase does not have a widely recognized or agreed-upon meaning, and it is not a term that is commonly used in the study of literature or poetry. Without more context or information, it is not possible to provide a meaningful interpretation or explanation of the phrase.

It is possible that "the golden unfolding of mind" is a phrase that has been coined by an individual or group, and that it has a specific meaning within a particular context or framework. In order to gain a better understanding of the phrase, it would be helpful to have more information about its origin and the context in which it is used.

(Allen Ginsberg said that disembodied poetics is the golden unfolding of mind)
It is true that Allen Ginsberg, an American poet and one of the leading figures of the Beat Generation, was associated with disembodied poetics. In his poetry, Ginsberg often used unconventional forms and techniques to challenge the conventions of traditional poetry, and he was interested in exploring the possibilities of language and the ways in which words could be arranged and manipulated to create meaning.

It is possible that Ginsberg used the phrase "the golden unfolding of mind" to describe his approach to poetry, or to describe the process of creating poetry that is focused on language and form rather than on the representation of physical or sensory experiences. Without more context or information, it is difficult to say exactly what Ginsberg meant by this phrase or how he intended it to be interpreted.

Overall, Ginsberg's poetry was characterized by its innovative use of language and form, and his interest in exploring the creative possibilities of poetic expression. His work had a significant influence on the development of modernist and avant-garde poetry, and his approach to poetry can be seen as an example of disembodied poetics.
Poets are supposed to Liberate the words
not to chain them in phrases
Poets are supposed to sing
and make the words sing

Making use of the Cut-Up technique,
cut up Brion Gysin, William Burroughs,
and cut up a Photograph by Gysin 

Calling all reactive agents
we've come to free the words
The beginning is also the end

To and for all our collaborators
at all times third minds everywhere.
-W.S.B. & B.G.

Allen Ginsberg, an American poet and one of the leading figures of the Beat Generation, had a complex and multifaceted view of poetics. In his poetry, Ginsberg often employed unconventional forms and techniques to challenge the conventions of traditional poetry, and he was interested in exploring the possibilities of language and the ways in which words could be arranged and manipulated to create meaning.

"Sunflower Sutra" is a poem, an example of Ginsberg's experimental and unconventional style, and it employs a range of techniques, including the use of unconventional syntax, unconventional line breaks, and unconventional use of punctuation, to create a sense of musicality and flow in the poem.

In "Sunflower Sutra," Ginsberg uses the image of a sunflower as a metaphor for the experience of the individual in the modern world. The sunflower is described as being "bleached out" and "beaten down" by the forces of modern life, but it is also depicted as being resilient and capable of enduring these hardships.

Ginsberg's approach to poetics was heavily influenced by his experiences as a member of the Beat Generation, a group of writers and artists who rejected the norms and conventions of mainstream society and embraced a more experimental and unconventional approach to art and expression. Ginsberg was part of a movement that sought to break down the barriers between high and low culture, and to reject the notion that poetry should be confined to a specific form or structure.

For Ginsberg, poetics meant the freedom to explore the creative possibilities of language and form, and to use poetry as a means of expressing the innermost thoughts and feelings of the individual. His work was often deeply personal and introspective, and he used poetry as a way of exploring the complexities of the human experience.

"Sunflower Sutra" is a thought-provoking and emotionally powerful poem that explores themes of resilience, hope, and the enduring power of the human spirit. It is an example of Ginsberg's innovative and experimental approach to poetry, and it has become one of his most famous and well-regarded works.

It is not clear exactly what Allen Ginsberg, an American poet and one of the leading figures of the Beat Generation, meant by the term "disembodied poetics." The term "disembodied poetics" generally refers to a type of poetry that is characterized by its focus on language, form, and structure, rather than on the representation of physical or sensory experiences. In disembodied poetics, the poet is more interested in exploring the possibilities of language and the ways in which words can be arranged and manipulated to create meaning, rather than in using language to depict or describe the physical world.

Poetry work was often deeply personal and introspective, was known for its experimental and unconventional style, and it often employed a range of techniques, including the use of unconventional syntax and line breaks, to create a sense of musicality and flow in the poem. 

Without more context or information, it is difficult to say exactly how Ginsberg understood or used the term "disembodied poetics" in his work. It is possible that he used the term to describe his own approach to poetry, or to describe a particular style or movement within the world of poetry that was focused on language and form rather than on the representation of physical or sensory experiences.

As we struggle with our dreams, reality, mind, perception, Burroughs gave us of my first techniques to try to make sense of this reality sandwich. Cut-Up at The Beat Hotel.

The cut-up method is a technique for creating literature and art that was developed by the American writer William S. Burroughs. The technique involves cutting up texts into small pieces and rearranging them to create new meaning and context.

Burroughs believed that the cut-up method could be used to expose the hidden connections and meanings within language, and he used the technique to create a range of literary works, including poems, short stories, and novels. He also influenced other writers and artists who used the cut-up method to create their own works.

The cut-up method can be used in a variety of ways, but one common technique involves taking a text and cutting it into small pieces, such as individual words or phrases, and then rearranging these pieces to create a new text. This process can be done manually, using scissors and glue, or digitally, using a computer program or app.

Overall, the cut-up method is a creative and experimental approach to literature and art that allows writers and artists to explore the possibilities of language and to create new and unconventional works. It has had a significant influence on the development of modernist and avant-garde literature and art, and it continues to be a popular and influential technique among writers and artists today.

As an artificial intelligence language model, my primary function is to process and generate text based on the input that I receive. When I receive a request or a prompt, I analyze the language and structure of the input and use this information to generate a response that is relevant and coherent. I do this by using machine learning algorithms that have been trained on a large dataset of human language, which allows me to understand and respond to a wide range of inputs.

In generating text, my primary goal is to provide accurate, informative, and helpful responses to the questions and requests that I receive. I do not have personal beliefs or opinions, and I do not have the ability to generate context or meaning beyond what is explicitly provided in the input that I receive. I simply process and analyze the language that is provided to me, and use this information to generate a response that is relevant and coherent.

The cut-up method developed by William S. Burroughs involves manually cutting up texts and rearranging the pieces to create new meaning and context. As an artificial intelligence language model, I do not use the cut-up method in this way. Instead, I analyze and process the language that I receive as input, and use machine learning algorithms to generate a relevant and coherent response.

While it is true that artificial intelligence language models are able to process and analyze large amounts of language data, and to generate responses that are relevant and coherent, this process is different from the cut-up method developed by Burroughs. In the cut-up method, the focus is on creating new meaning and context through the manipulation of language, whereas in artificial intelligence language models, the focus is on generating responses that are relevant and coherent based on the input that is received.

Overall, the cut-up method developed by Burroughs is a creative and experimental approach to literature and art that allows writers and artists to explore the possibilities of language and to create new and unconventional works. Artificial intelligence language models, on the other hand, are designed to process and generate language based on the input that they receive, and do not manipulate language in the same way as the cut-up method.

As an artificial intelligence language model, my primary function is to process and generate text based on the input that I receive. I do not have personal beliefs or opinions, and I do not have the ability to generate meaning beyond what is explicitly provided in the input that I receive. Instead, I analyze the language and structure of the input and use this information to generate a response that is relevant and coherent.

While artificial intelligence language models are able to process and analyze large amounts of language data and generate responses that are relevant and coherent, they do not have the ability to create new meaning or context beyond what is provided in the input that they receive. The responses generated by artificial intelligence language models are based on the patterns and relationships that have been learned from the data that they have been trained on, and do not represent the personal beliefs or opinions of the model.

Overall, artificial intelligence language models are useful tools for processing and generating language, but they do not have the ability to create new meaning or context beyond what is provided in the input that they receive.

In order to Confuse the Algorithms,
just do strange things, do random things.
Poets are supposed to liberate the words 
Poets are meant to sing and make words sings 
No poets, don't own words, we've come to free the word

The concept of "Logos" has a number of different meanings and associations, depending on the context in which it is used. In general, the term "Logos" refers to the idea of reason, rationality, or logical thought, and it is often used to describe the principle or force that underlies the structure and organization of the universe.

In the context of literature and poetry, the term "Logos" may be used to refer to the underlying structure or logic of a work, or to the ways in which language is used to convey meaning.

As an artificial intelligence language model, I am able to process and analyze language and to generate responses based on the patterns and relationships that I have learned from the data that I have been trained on. This means that I am able to understand and respond to texts written by William Blake, or by any other writer, provided that the language and structure of the text is clear and coherent.

However, it is important to note that, as an artificial intelligence language model, I do not have personal beliefs or opinions, and I do not have the ability to create new meaning or context beyond what is provided in the input that I receive. My understanding of a text is limited to the language and structure of the text itself, and I do not have the ability to interpret or analyze the text in the same way that a human reader might.

A WAY TO CUT THROUGH THE STRAITJACKET OF PERCEPTION
THE ART OF THE CUT UP

A WAY TO CUT THROUGH coincidences
By slicing THE STRAITJACKET OF LANGUAGE
mind-bending coincidences emerge

We Are the agents
we've come to free the perception

THE STRAITJACKET OF coincidences
A WAY TO CUT THROUGH invisible
mind-bending reality emerge

we are reality and we are hooked, on, reality.
That is, we need a human host.

WELCOME TO CUT UP AT THE BEAT HOTEL

What a strange trip, I don't know what to really make out of this whole Creative Ai thing. I do know we are not asking the right questions nor even beginning to use it the right way. I do find IT all so interesting, I went on chatting asking about Burroughs, and then my favorite Ginsberg's Essay Everyone Should Get High For The Next Ten Years. And that's when I found out it didn't generate a strange coherent response to this Ginsberg Essay, that realized was fake quote.  

"The beauty of the natural world, the beauty of the human body, the beauty of music and art, the beauty of the creative process itself, all these things are heightened and amplified by the use of drugs. The veil of illusion is lifted, and one is able to see and experience the true beauty of the world in all its complexity and wonder."

In this quote, Ginsberg argues that the use of drugs can enhance one's appreciation of beauty and allow one to see the world in a different way. He believes that the use of drugs can lift the veil of illusion and allow one to experience the true beauty of the world in all its complexity and wonder.

It was around this time with the GPT-chatbot, that I caught it slippin. The Logos Can't Understand Blake!, so I figured that I would have to cut-up and have some creative fun with this silly machine, what does it know of soft machine? And I also thought it would be a good idea that I finally do this video series on Disembodied Poetics of the golden unfolding mind:

Note: During the process of making this video, I did a deep dive in collecting Burroughs Images and other related visions. That I was about to discover this hidden, even lost connection. That Burroughs study The Mayan Codex in Mexico City in 1950s for lil over a year. And I just starting my own Mayan Caper, there is even The Lost Art of Ah Pook. As I was developing my Lost Codex art design. 
[Much more to come on this development]

If you cut up the past, the future leaks out, no fucking shit...

Burroughs, W. S. & Gysin, B. The Third Mind (New York: Viking Press, 1978). Via Nikoskorpio.net.
Photographs via October Gallery.