"L'homme démoli" by Bastien Lecouffe Deharme, 2011. Digital media. For the 2011 French Gallimard pb edition of Alfred Bester's classic science fiction police procedural novel with a telepathic twist, "The Demolished Man" (1953, Sidjwick & Jackson hc, 1st book form). This novel was initially serialised in three parts in "Galaxy Science Fiction" magazine (Jan.-Mar. 1952) and was the winner of the very first Hugo Award in 1953. #ScienceFictionArt #ScienceFictionSurrealism

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Philippe Druillet (French, b. 1944). Pencils. Splash page for Druillet's "Agorn". A cropped version of this illustration was published in colour on the back cover of the very first issue of the adult-oriented comics anthology magazine, HEAVY METAL (Apr. 1977). It was then...See more

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"Do Androids Dream of Electric Sheep: Lovers" by Donato Giancola, 2009. Oil on panel, 24 x 36 inches. Part of a private collection. Used for the 2009 Del Rey/Ballantine SFBC hc edition of Philip K. Dick's famous novel, "Do Androids Dream of Electric Sheep?" (1968, Doubleday hc). #ScienceFictionArt #RobotArt

Bruce Pennington (English, b. 1944). "Shiva-Shakti" / 1986. Most likely gouache on board. A private piece as yet unpublished in any of Pennington's books or as cover/interior art in any other book or magazine publication. A beautiful and strange interpretation of the...See more

More from Science Fiction Art

Philippe Druillet (French, b. 1944). Pencils. Splash page for Druillet's "Agorn". A cropped version of this illustration was published in colour on the back cover of the very first issue of the adult-oriented comics anthology magazine, HEAVY METAL (Apr. 1977). It was then...See more

repeat

"Do Androids Dream of Electric Sheep: Lovers" by Donato Giancola, 2009. Oil on panel, 24 x 36 inches. Part of a private collection. Used for the 2009 Del Rey/Ballantine SFBC hc edition of Philip K. Dick's famous novel, "Do Androids Dream of Electric Sheep?" (1968, Doubleday hc). #ScienceFictionArt #RobotArt

Bruce Pennington (English, b. 1944). "Shiva-Shakti" / 1986. Most likely gouache on board. A private piece as yet unpublished in any of Pennington's books or as cover/interior art in any other book or magazine publication. A beautiful and strange interpretation of the...See more