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ROCK & ROLL DURING A TIME OF INNOCENCE: THEN ALONG CAME THE PILL, THE DRAFT, THE COMPUTER AND THE BRITISH INVASION

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ROCK & ROLL DURING A TIME OF INNOCENCE: THEN ALONG CAME THE PILL, THE DRAFT, THE COMPUTER AND THE BRITISH INVASION

by Dick Stewart

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Dick Stewart was recently inducted into the 2016 New Mexico Music Hall of Fame

Richard Stewart is one of those large numbers of fanatical early 60s rock-and-roll guitarists, who never received national attention and all its glory but, instead, came darn close regardless of the frequent and, on occasion, precarious roadblocks that he encountered, especially during the innocent years of early rock and roll. He endured excessive corporal punishment at school and at home; he explored and mapped privately owned lots in which he and his neighborhood, preteen gang members built forts; he was a Pachuco in an Hispanic gang while in high school; he witnessed despicable bigotry toward Native Americans, Mexican Americans, and African Americans; he fought forest fires in the Pacific Northwest, one of which nearly took his life; he suffered extreme hazing at the hands of his Kappa Sigma active brothers at the University of New Mexico; and the arrival of the Beatles in America dashed his dream of having a national, rock-in-roll guitar instrumental hit.All musicians, high profile or not, of this new mainstream music genre that the teens embraced and called their very own, have an interesting story to tell, but most of the wannabe breakout artists just keep putting it off. Well, this writer didnt. Stewarts experiences from the moment the Second World War ended in July of 1945 to the beginning of the psychedelic rock period in 1967 are just too powerful, suspenseful, historic, excruciating, humorous, scary, and on occasion, downright life threatening that needs to be told in detail. This is a read that you will have difficulty putting down.

 

 

 

 

 

 

 

 

 

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And when the Beatles start out that certainly true of them," Wald says^ Cloud, Barbara (June 11, 1967)Houston ChronicleThe British Invasion: From the Beatles to the Stones, The Sixties Belonged to Britain When the Beatles came to America in 1964, the nation was gripped by a phenomenon unseen before The Rolling Stones in Marble Arch Car Park circa 1963"Where will it all lead?" To the lost colonies, of course — and the world's biggest market for rock & roll^ Cateforis, TheoThey put the raunch back in rock & rollNewswire About Newswire Get a Newsroom Login In fact, Donegan charted sizable hits over here in 1956 and 1961 with "Rock Island Line" and "Does Your Chewing Gum Lose Its Flavor (on the Bedpost Over Night)" — an early warning sign that England could successfully sell America reconstituted versions of its own musicGoyanes Releases "Miami Moon" the Second Book in His Full-Flavored Jose Castillo Mystery SeriesThey were even gonna bring a choreographer to show us how to move on stageThe Beatles’ manager, Brian Epstein, reinvented the band’s image to make them more palatable to audiencesa slice of Jersey Boy Americana to warm your cocklesbefore the British come marching in^ K"It was very important that the Beatles wrote their own songs," says Richie Unterberger, author of "The Unreleased Beatles" and a number of other books about music history9.4 Jay-Z's '4:44': A Track-by-Track Guide 8.3 Jay-Z, Beyonce Name Their Twins Rumi and Sir:Krukow, you goddamn pinza, put the ball over the fucking plate! Thank you, Mike Pender, for the vocal affectation that changed my lifepp.602, 603^ Thompson, DaveRobbinsaccess-date= requires url= (help) ^ Ankeny, JasonThis musical division would continue: For instance, discos became the home of "girly" recorded dance music, while the punk live music scene that would later arise would be seen as more masculine, and thus to be taken more seriouslyThe Billboard Hot 100 Charts: The Sixties (11 April 1964)The British accents didn't hurt, eitherTheir timing couldnt have been betterYoung British groups started to combine various British and American styles, in different parts of the U.K., such as a movement in Liverpool during 1962 in what became known as Merseybeat, hence the "beat boom".[9][10][11][12] That same year featured the first three acts with British roots to reach the Hot 100's summit,[13] including the Tornados' instrumental "Telstar", written and produced by Joe Meek, becoming the first record by a British group to reach number one on the US Hot 100.[citation needed]The real news in August 1964 was the congressional passage of the Gulf of Tonkin Resolution, an overreaction to an incident that never took place and would soon put millions of young American men, including my father, inlegitimate fear for their lives, and affect the course of popular music in very short orderJames Shea Stadium Stanley Street Star-Club Strawberry Field Tittenhurst Park The Top Ten Club Wigmore Street Yellow Submarine sculpture Associated companies Apple Corps Apple Records Harrisongs Lingasong Records Northern Songs Phillips' Sound Recording Services Seltaeb Startling Music Influence Artists who have covered the Beatles Beatlemania Beatlesque British Invasion Cultural impact The Fest for Beatles Fans Fifth Beatle Jeff Lynne and the Beatles Recording technology The Rutles Tributes Lists Awards and nominations Bootlegs Cover songs Discography Instruments Performers Post-breakup collaborations Recording sessions Songs Sgt 2ffeafca65

 

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